essence, essentials

It's 1979, I'm fifty-five years old, this is what my son believes in. These people with this hair and these clothes making these gestures, making these sounds. It's 1979, I'm 55 years old and in 1999 I will die of cancer from the smoking. They don't know this is the end of punk. They don't know that Reagan's coming. It's impossible to imagine that kids will stop dreaming about nuclear war, and have nightmares about the weather. It's impossible to imagine HIV, what will happen with skateboard tricks, the Internet. Before I die, I will prepare for Y2K. I put canned food and water in the garage. I put 16 000 dollars' worth of gold coins into a safe deposit box at the Bank of Montecito. I died before the new year. Dolphin shaped balloons floated over my head. They were playing Louis Armstrong on a boom box.

“i think i have this thing where i need everyone to think im the greatest” “im not different. - we all are. him, especially. but there’s something kind of fantastic about that isn’t there?”

welcome back ladybird, we missed you

It's that thing when you're with someone, and you love them and they know it, and they love you and you know it... but it's a party... and you're both talking to other people, and you're laughing and shining... and you look across the room and catch each other's eyes... but - but not because you're possessive, or it's precisely sexual... but because... that is your person in this life. And it's funny and sad, but only because this life will end, and it's this secret world that exists right there in public, unnoticed, that no one else knows about. It's sort of like how they say that other dimensions exist all around us, but we don't have the ability to perceive them. That's - That's what I want out of a relationship. Or just life, I guess.

growing up is not the problem. forgetting is

I don’t know if I will have the time to write anymore letters because I might be too busy trying to participate. So if this does end up being the last letter, I just want you to know that I was in a bad place before I started high school and you helped me. Even if you didn’t know what I was talking about or know someone who’s gone through it. You made me not feel alone. Because I know there are people who say all these things don’t happen. And there are people who forget what it’s like to be sixteen when they turn seventeen. And know these will all be stories someday and our pictures will become old photographs and we’ll all become somebody’s mom or dad. But right now these moments are not stories. This is happening. I am here and I am looking at her and she is so beautiful. I can see it. This one moment when you know you’re not a sad story, you are alive. And you stand up and see the lights on buildings and everything that makes you wonder, when you were listening to that song on that drive with the people you love most in this world. And in this moment, I swear, we are infinite.

Once on a yellow piece of paper with green lines he wrote a poem And he called it "Chops" because that was the name of his dog And that's what it was all about And his teacher gave him an A and a gold star And his mother hung it on the kitchen door and read it to his aunts That was the year Father Tracy took all the kids to the zoo And he let them sing on the bus And his little sister was born with tiny toenails and no hair And his mother and father kissed a lot And the girl around the corner sent him a Valentine signed with a row of X's and he had to ask his father what the X's meant And his father always tucked him in bed at night And was always there to do it Once on a piece of white paper with blue lines he wrote a poem And he called it "Autumn" because that was the name of the season And that's what it was all about And his teacher gave him an A and asked him to write more clearly And his mother never hung it on the kitchen door because of its new paint And the kids told him that Father Tracy smoked cigars And left butts on the pews And sometimes they would burn holes That was the year his sister got glasses with thick lenses and black frames And the girl around the corner laughed when he asked her to go see Santa Claus And the kids told him why his mother and father kissed a lot And his father never tucked him in bed at night And his father got mad when he cried for him to do it. Once on a paper torn from his notebook he wrote a poem And he called it "Innocence: A Question" because that was the question about his girl And that's what it was all about And his professor gave him an A and a strange steady look And his mother never hung it on the kitchen door because he never showed her That was the year that Father Tracy died And he forgot how the end of the Apostle's Creed went And he caught his sister making out on the back porch And his mother and father never kissed or even talked And the girl around the corner wore too much makeup That made him cough when he kissed her but he kissed her anyway because that was the thing to do And at three a.m. he tucked himself into bed his father snoring soundly That's why on the back of a brown paper bag he tried another poem And he called it "Absolutely Nothing" Because that's what it was really all about And he gave himself an A and a slash on each damned wrist And he hung it on the bathroom door because this time he didn't think he could reach the kitchen.

Επειδή σ’ αγάπησα και σ’ αγαπώ ακόμη κι ας μην είναι όπως παλιά, δε θα πει πως πέθανε η αγάπη, κουράστηκε ίσως, σαν καθετί που ανασαίνει.

We could never have loved the earth so well if we had had no childhood in it, if it were not the earth where the same flowers come up again every spring that we used to gather with our tiny fingers as we sat lisping to ourselves on the grass, the same hips and haws on the autumn hedgerows, the same redbreasts that we used to call ‘God’s birds’ because they did no harm to the precious crops. What novelty is worth that sweet monotony where everything is known and loved because it is known?

Here's to the crazy ones. The misfits. The rebels. The troublemakers. The round pegs in the square holes. The ones who see things differently. They're not fond of rules. And they have no respect for the status quo. You can quote them, disagree with them, glorify or vilify them. About the only thing you can't do is ignore them. Because they change things. They push the human race forward. And while some may see them as the crazy ones, we see genius. Because the people who are crazy enough to think they can change the world, are the ones who do.

Yes, yes, we are Foxes, hello frends, we have just seen the wunder that is your Mawl, we congradulate you! We glampsed your fake River, obserbed your cute yung ones dansing, gladly asepted your generus gift of Fud. You are so nise! What a grate day for the Fox/Yuman conection! Then that first Yuman, kwite huje, took off a blue hat he was wearing. And I woslike, in my brane: It must be a form of saloot? So did a Fox saloot back, which is: reach out with front legs, bow, yawn. Only then, running toward us in a startling maner, he threw that hat at us! From the sound it made upon not hitting us, but only Par King, I saw it must be made of rok. I gave Fox 7 a glanse, like: What did we do rong? Then the other Yuman, kwite small, ran at us, and threw his hat, and o my frends, what hapened next is hard to rite. Because that hat wonked Fox 7 skware in his face! And sudenly his nees go week, and he gives me one last fond look, and drops over on his side, with blud trikling out his snout! I breefly tried to revive him, by sniffing. But here comes the huje and the small Yuman, running as if in viktree, making a noise that made my hare stand on my nek, and what cud I do but flee? Glansing bak wile troting, I saw the huje and small Yuman doing such things to Fox 7 as: further hits with their hats, and kiks and stomps, wile making adishunal noises I had never herd a Yuman make, as if this is fun, as if this is funy, as if they are prowd of what they are akomplishing!

Choose Life. Choose a job. Choose a career. Choose a family. Choose a fucking big television, choose washing machines, cars, compact disc players and electrical tin openers. Choose good health, low cholesterol, and dental insurance. Choose fixed interest mortgage repayments. Choose a starter home. Choose your friends. Choose leisurewear and matching luggage. Choose a three-piece suit on hire purchase in a range of fucking fabrics. Choose DIY and wondering who the fuck you are on Sunday morning. Choose sitting on that couch watching mind-numbing, spirit-crushing game shows, stuffing fucking junk food into your mouth. Choose rotting away at the end of it all, pissing your last in a miserable home, nothing more than an embarrassment to the selfish, fucked up brats you spawned to replace yourselves. Choose your future. Choose life… But why would I want to do a thing like that? I chose not to choose life. I chose somethin’ else. And the reasons? There are no reasons. Who needs reasons when you’ve got heroin?

At lunchtime I bought a huge orange— The size of it made us all laugh. I peeled it and shared it with Robert and Dave— They got quarters and I had a half. And that orange, it made me so happy, As ordinary things often do Just lately. The shopping. A walk in the park. This is peace and contentment. It’s new. The rest of the day was quite easy. I did all the jobs on my list And enjoyed them and had some time over. I love you. I’m glad I exist.

Not a red rose or a satin heart. I give you an onion. It is a moon wrapped in brown paper. It promises light like the careful undressing of love. Here. It will blind you with tears like a lover. It will make your reflection a wobbling photo of grief. I am trying to be truthful. Not a cute card or a kissogram. I give you an onion. Its fierce kiss will stay on your lips, possessive and faithful as we are, for as long as we are. Take it. Its platinum loops shrink to a wedding-ring, if you like. Lethal. Its scent will cling to your fingers, cling to your knife.

Either peace or happiness, let it enfold you When I was a young man, I felt that these things were dumb, unsophisticated. I had bad blood, a twisted mind, a precarious upbringing. I was hard as granite, I leered at the sun. I trusted no man and especially no woman. I was living a hell in small rooms, I broke things, smashed things, walked through the glass, cursed. I challenged everything, was continually being evicted, jailed. In and out fights, in and out my mind. Women were something to screw and rail at. I had no male friends. I changed jobs and cities, I hated holidays, babies, history, newspapers, museums, grandmothers, marriage, movies, spiders, garbagemen, English accents, Spain, France, Italy, walnuts, and the color orange. Algebra angered me, opera sickened me, Charlie Chaplin was a fake and flowers were for pansies. Peace and happiness were to me sign of inferiority. Tenants of the weak and addled mind. But as I went on with my alley fights, my suicidal years, my passage through any number of women, it gradually begun to occur to me that I wasn’t different from the others, I was the same. They were all fullsome with hatred, glossed over with petty grievances . the man I fought in alleys had hearts of stone. Everybody was nudging, inching, cheating from some insignificant advantage. The lie was the weapon and the plot was empty, darkness was the dictator. Cautiously, I allowed myself to feel good at times, I found moments of peace in cheap rooms just staring at the knobs of some dresser or listening to the rain in the dark. The less I needed, the better I felt. Maybe the other life had worn me down, I no longer found glamour in topping somebody in conversation or in mounting the body of some poor, drunken female whose life had slipped away into sorrow. I could never accept life as it was. I could never gobble down all its poisons. But there were parts, tenuous magic parts open for the asking. I reformulated. I don’t know when, date, time, all that. But the change occured, something in me relaxed, smoothed out, I no longer had to prove that I was a man. I didn’t have to prove anything, I begun to see things. Coffee cups lined up behind a counter in a café or a dog walking along a sidewalk or the way the mouse on my dresser top stopped there, really stopped there with its body, its ears, its nose, it was fixed, a bit of life caught within itself, and its eyes were looked at me and they were beautiful. Then it was gone. I began to feel good, I began to feel good in worst situations and there were plenty of those, like say, the boss behind his desk, he is going to have to fire me, I’ve missed too many days, he’s dressed in a suit, necktie, glasses, he says “I’m going to have to let you go”, “it’s alright” I tell him. He must do what he must do, he has a wife, a house, children, expenses, most probably a girlfriend. I’m sorry for him. He’s caught. I walked out into the blazing sushine, the whole day is mine, temporarily anyhow. The whole world is at the throat of the world, everybody feels angry ,short-changed, cheated. Everybody is despondent, disillusioned. I welcomed shots of piece, tattered shards of happines, I embraced that stuff like the hottest number, like high heels, breasts, singing, the works. Don’t get me wrong, there is such a thing as cockeyed optimism that overlook all basic problems just for the sake itself. This is a shield, a sickness. The knife got near my throat again, I almost turned on the gas again, but when the good moments arrived again, I didn’t fight them off like an alley adversary, I let them take me, I luxuriated them, I bade them welcome home, I even looked into the mirror once having thought myself to be ugly, I now liked what I saw. almost handsome, yet a bit ripped and ragged, scars, lumps, odd turns, but all in all, not too bad, almost handsome. Better at least than some of those movie star faces like the cheeks of a baby’s butt. And finally I discovered real feelings for others, unheralded, like lately like this morning, as I was leaving for the track, I saw my wife in bed, just the shape of her head there covers pulled high, just the shape of her head there, not forgetting centuries of the living and the dead and the dying, and pyramids, mozart dead but his music still there in the room, weeds growing, the earth turning, the tote board waiting for me. I saw the shape of my wife’s head, she so still, I ached for her life just being there under covers, I kissed her on the forehead, got down the stairway, got outside, got into my marvelous car, fixed the seat belt, backed out the drive, feeling warm to the finger tips, down to my foot on the gas pedal, I entered the world once more, drove down the hill pass the houses full and empty of people. I saw the mailman, honked, he waved back at me.

Friends, will you bear with me today, for I have awakened from a dream in which a robin made with its shabby wings a kind of veil behind which it shimmied and stomped something from the south of Spain, its breast aflare, looking me dead in the eye from the branch that grew into my window, coochie-cooing my chin, the bird shuffling its little talons left, then right, while the leaves bristled against the plaster wall, two of them drifting onto my blanket while the bird opened and closed its wings like a matador giving up on murder, jutting its beak, turning a circle, and flashing, again, the ruddy bombast of its breast by which I knew upon waking it was telling me in no uncertain terms to bellow forth the tubas and sousaphones, the whole rusty brass band of gratitude not quite dormant in my belly— it said so in a human voice, “Bellow forth”— and who among us could ignore such odd and precise counsel? Hear ye! hear ye! I am here to holler that I have hauled tons—by which I don’t mean lots, I mean tons — of cowshit and stood ankle deep in swales of maggots swirling the spent beer grains the brewery man was good enough to dump off holding his nose, for they smell very bad, but make the compost writhe giddy and lick its lips, twirling dung with my pitchfork again and again with hundreds and hundreds of other people, we dreamt an orchard this way, furrowing our brows, and hauling our wheelbarrows, and sweating through our shirts, and two years later there was a party at which trees were sunk into the well-fed earth, one of which, a liberty apple, after being watered in was tamped by a baby barefoot with a bow hanging in her hair biting her lip in her joyous work and friends this is the realest place I know, it makes me squirm like a worm I am so grateful, you could ride your bike there or roller skate or catch the bus there is a fence and a gate twisted by hand, there is a fig tree taller than you in Indiana, it will make you gasp. It might make you want to stay alive even, thank you; and thank you for not taking my pal when the engine of his mind dragged him to swig fistfuls of Xanax and a bottle or two of booze, and thank you for taking my father a few years after his own father went down thank you mercy, mercy, thank you for not smoking meth with your mother oh thank you thank you for leaving and for coming back, and thank you for what inside my friends’ love bursts like a throng of roadside goldenrod gleaming into the world, likely hauling a shovel with her like one named Aralee ought, with hands big as a horse’s, and who, like one named Aralee ought, will laugh time to time til the juice runs from her nose; oh thank you for the way a small thing’s wail makes the milk or what once was milk in us gather into horses huckle-buckling across a field; and thank you, friends, when last spring the hyacinth bells rang and the crocuses flaunted their upturned skirts, and a quiet roved the beehive which when I entered were snugged two or three dead fist-sized clutches of bees between the frames, almost clinging to one another, this one’s tiny head pushed into another’s tiny wing, one’s forelegs resting on another’s face, the translucent paper of their wings fluttering beneath my breath and when a few dropped to the frames beneath: honey; and after falling down to cry, everything’s glacial shine. And thank you, too. And thanks for the corduroy couch I have put you on. Put your feet up. Here’s a light blanket, a pillow, dear one, for I can feel this is going to be long. I can’t stop my gratitude, which includes, dear reader, you, for staying here with me, for moving your lips just so as I speak. Here is a cup of tea. I have spooned honey into it. And thank you the tiny bee’s shadow perusing these words as I write them. And the way my love talks quietly when in the hive, so quietly, in fact, you cannot hear her but only notice barely her lips moving in conversation. Thank you what does not scare her in me, but makes her reach my way. Thank you the love she is which hurts sometimes. And the time she misremembered elephants in one of my poems which, oh, here they come, garlanded with morning glory and wisteria blooms, trombones all the way down to the river. Thank you the quiet in which the river bends around the elephant’s solemn trunk, polishing stones, floating on its gentle back the flock of geese flying overhead. And to the quick and gentle flocking of men to the old lady falling down on the corner of Fairmount and 18th, holding patiently with the softest parts of their hands her cane and purple hat, gathering for her the contents of her purse and touching her shoulder and elbow; thank you the cockeyed court on which in a half-court 3 vs. 3 we oldheads made of some runny-nosed kids a shambles, and the 61-year-old after flipping a reverse lay-up off a back door cut from my no-look pass to seal the game ripped off his shirt and threw punches at the gods and hollered at the kids to admire the pacemaker’s scar grinning across his chest; thank you the glad accordion’s wheeze in the chest; thank you the bagpipes. Thank you to the woman barefoot in a gaudy dress for stopping her car in the middle of the road and the tractor trailer behind her, and the van behind it, whisking a turtle off the road. Thank you god of gaudy. Thank you paisley panties. Thank you the organ up my dress. Thank you the sheer dress you wore kneeling in my dream at the creek’s edge and the light swimming through it. The koi kissing halos into the glassy air. The room in my mind with the blinds drawn where we nearly injure each other crawling into the shawl of the other’s body. Thank you for saying it plain: fuck each other dumb. And you, again, you, for the true kindness it has been for you to remain awake with me like this, nodding time to time and making that noise which I take to mean yes, or, I understand, or, please go on but not too long, or, why are you spitting so much, or, easy Tiger hands to yourself. I am excitable. I am sorry. I am grateful. I just want us to be friends now, forever. Take this bowl of blackberries from the garden. The sun has made them warm. I picked them just for you. I promise I will try to stay on my side of the couch. And thank you the baggie of dreadlocks I found in a drawer while washing and folding the clothes of our murdered friend; the photo in which his arm slung around the sign to “the trail of silences”; thank you the way before he died he held his hands open to us; for coming back in a waft of incense or in the shape of a boy in another city looking from between his mother’s legs, or disappearing into the stacks after brushing by; for moseying back in dreams where, seeing us lost and scared he put his hand on our shoulders and pointed us to the temple across town; and thank you to the man all night long hosing a mist on his early-bloomed peach tree so that the hard frost not waste the crop, the ice in his beard and the ghosts lifting from him when the warming sun told him sleep now; thank you the ancestor who loved you before she knew you by smuggling seeds into her braid for the long journey, who loved you before he knew you by putting a walnut tree in the ground, who loved you before she knew you by not slaughtering the land; thank you who did not bulldoze the ancient grove of dates and olives, who sailed his keys into the ocean and walked softly home; who did not fire, who did not plunge the head into the toilet, who said stop, don’t do that; who lifted some broken someone up; who volunteered the way a plant birthed of the reseeding plant is called a volunteer, like the plum tree that marched beside the raised bed in my garden, like the arugula that marched itself between the blueberries, nary a bayonet, nary an army, nary a nation, which usage of the word volunteer familiar to gardeners the wide world made my pal shout “Oh!” and dance and plunge his knuckles into the lush soil before gobbling two strawberries and digging a song from his guitar made of wood from a tree someone planted, thank you; thank you zinnia, and gooseberry, rudbeckia and pawpaw, Ashmead’s kernel, cockscomb and scarlet runner, feverfew and lemonbalm; thank you knitbone and sweetgrass and sunchoke and false indigo whose petals stammered apart by bumblebees good lord please give me a minute... and moonglow and catkin and crookneck and painted tongue and seedpod and johnny jump-up; thank you what in us rackets glad what gladrackets us; and thank you, too, this knuckleheaded heart, this pelican heart, this gap-toothed heart flinging open its gaudy maw to the sky, oh clumsy, oh bumblefucked, oh giddy, oh dumbstruck, oh rickshaw, oh goat twisting its head at me from my peach tree’s highest branch, balanced impossibly gobbling the last fruit, its tongue working like an engine, a lone sweet drop tumbling by some miracle into my mouth like the smell of someone I’ve loved; heart like an elephant screaming at the bones of its dead; heart like the lady on the bus dressed head to toe in gold, the sun shivering her shiny boots, singing Erykah Badu to herself leaning her head against the window; and thank you the way my father one time came back in a dream by plucking the two cables beneath my chin like a bass fiddle’s strings and played me until I woke singing, no kidding, singing, smiling, thank you, thank you, stumbling into the garden where the Juneberry’s flowers had burst open like the bells of French horns, the lily my mother and I planted oozed into the air, the bazillion ants labored in their earthen workshops below, the collard greens waved in the wind like the sails of ships, and the wasps swam in the mint bloom’s viscous swill; and you, again you, for hanging tight, dear friend. I know I can be long-winded sometimes. I want so badly to rub the sponge of gratitude over every last thing, including you, which, yes, awkward, the suds in your ear and armpit, the little sparkling gems slipping into your eye. Soon it will be over, which is precisely what the child in my dream said, holding my hand, pointing at the roiling sea and the sky hurtling our way like so many buffalo, who said it’s much worse than we think, and sooner; to whom I said no duh child in my dreams, what do you think this singing and shuddering is, what this screaming and reaching and dancing and crying is, other than loving what every second goes away? Goodbye, I mean to say. And thank you. Every day.

Maria! I’m scared I’ll forget your name like a poet’s scared he’ll forget a word born at night in pain, equal to god.

no other language tells my want

I'm such an incredibly, stupidly sensitive person that everything that happens to me, I experience it really intensely. I feel everything very deeply. And when you feel things deeply and you think about things a lot and you think about how you feel, you learn a lot about yourself. And when you know yourself, you know life.